June ’26
Arriving home from holiday a couple of weeks ago I was ready to start producing some new work. Things have not gone quite as well as planned, I did get up to date with my journal quilts and complete the next piece for FifteenbyFifteen but then things began to go down hill. While I was on holiday I was bitten by a tick, two visits to the doctor in four days and I was given antibiotics against Lyme’s disease and another tablet against allergy, the latter would work well as a sleeping drug, I keep falling asleep ! This coincided with record temperatures, it was like a hot hair dyer blowing but without the air circling, to control the itch of the bite and keep it from being burning hot I was packing it with an ice pack, so I spent the most part of the week doing very little in a darkened house.
I had planned to get back to painting fabrics for several projects but it was, and still is, far too hot so I got out last year’s pieces and picked one to work on. I am often asked how long something takes to complete, that is always very difficult to answer, how long is a piece of string? The photo shows the project in question, the fabric was sized, painted and dried for 4 weeks before having the final coat added. Yesterday I auditioned threads for hand sewing, that resulted in dyeing a selection, they had to be over-dyed to get them dark enough, washed dried and would on to supports. Twenty four hours later I am now ready to start sewing and the hours have already flown by. When dyeing threads I always take a selection of threads because they all turn out differently, these are all cotton threads and dyed with procion dyes.

Recycled cotton sheet coloured with natural earth pigments, hand dyed thread

Since I last wrote I have worked my journal quilts and completed the first 4 FifteenbyFifteen pieces on the subject of time. The fourth can not yet be disclosed, that will be the end of July. I have travelled twice this year, once to the UK to meet my newest nephew and visit friends during which time I visited the Royal Albert Memorial Museum in Exeter to see the Grayson Perry exhibition, I was disappointed, I had seen some of the work and I fund it expensive for what it was, the textile section of the museum was interesting. I also saw some great costumes, at Killerton House, including a mourning dress worn by Queen Victoria.



Three roman landscapes on recycled linen


First two journal quilts, May and June, depicting roman mosaics using one colour.

Fifteenbyfifteen: Time N° 2 depicting a few lines of Shakespeare’s Time. Recycled cotton sheeting coloured with earth pigments and over painted, hand stitched and commercial fabric machine stitched and hand stitched with the word time.
Like as the waves make to the pebbled shore, So do our minutes hasten to their end, Each changing place with that which goes before, In sequent toil all forwards to contend….

Fifteenbyfifteen: Time N° 3. Tide and time wait for no man. Old linen table napkin coloured with earth pigment and highlighted with inktense sticks. Man and board appliquéd and the wet suit has the saying written on it in continuous text, copy of a tide timetable on organza, fading with time.
The second break was for walking but there was also a lot of inspirational art firstly in Aubusson at the tapestry centre then in many churches of the Haute Loire there were murals, some better than others. At la Chaise Dieu the religious tapestries were amazing.
I have had three exhibitions, one solo on the Ile de Rè for ten days and two where I had a displayed the Gaspart exhibitions , Lagord and La Rochelle. I am now working towards a new body of work, hoping for cooler drier weather so that I can create new backgrounds. I did manage to paint some fabric on the beach on the Ile de Ré during my lunch break while I was at my exhibition.





This last piece, which was exhibited with those in the other images at the A.N.C.R.E. Maritaise, Ste-Marie-de-Rè, is coloured with earth pigments and the orange and green is continuous text written ink “Full many a flower is born to blush unseen and waste its sweetness on the desert air” (Thomas Gray; Elergy, written in a country churchyard)
My inclusion of text is as result of being in the middle of a very motivational online course with Claire Benn and is aimed at using text as a texture. I am halfway through and need to find the time to continue because it is challenging me to try new ways of working.


















































































































































































