October ’25

At the end of April I set off to Portugal to walk 200+ km along the coast. We had a nasty surprise at the outset because due to a power outage in Spain and Portugal our flight was cancelled just as we had arrived at the passport and security check. At 9.30 pm we found ourselves, and all the others on the flight, without our plane to Porto. Having had a doubt during the afternoon I had researched other means of getting there which is how at quarter to one in the morning we found ourselves getting on a bus, we had to change at Bilboa but it meant that we would only arrive 24 hours late and miss the first day. It was a long haul, the first bus was comfortable but the second had no suspension and the Spanish and Portuguese roads are not the smoothest but we finally arrived. Ten days of Atlantic coastline was magical and until the last couple of days really wild. After the third week spent exploring the Algarve I came home with a head full of ideas and the creative juices began to flow.

A sea view and a piece which resulted from the trip.

I had only a week at home before going off again for 5 days but in that time I decided to sign up for an online course with Claire Benn through the Fibre Arts Two platform. The trip was to the other side of France where we had great weather and visited Arc-et-Senans an old royal saltworks with the most stunning architecture and Besançon and its citadelle amongst other places.

Arc et Senans at sunset from the gardens.

Again many ideas and I felt ready to spend the summer producing some new work. Doing the course on-line motivated me, Claire is an excellent teacher and I found myself rethinking how I work. I was using earth pigments and recycled fabric and it all felt so right. I love stitching whether with the machine or by hand but we were encouraged to look at our work and see if we needed to stitch, it is a different approach and it really made me question what I was doing. I have used the long dry summer to experiment and start to understand how I can achieve the results which inspire me. I still have a long way to go but it is so exciting!

Now have gathered together some new work which was exhibited a few weeks ago at the local Fete des Arts where I was exhibiting for the fifth time at my friends’ house I was curious to see how my ‘new’ work was accepted. 

Once the exhibition was over, less of a success than previous years probably due to the weather, I headed off to the Gers region for two weeks. The first week was with a walking friend, the second with the club. It is a beautiful area and almost each village has some curiosity to discover.

Some of what we saw along the way, churches, fortified villages, transhumance (sheep walking three weeks back home from their summer pastures in the mountains), ecclesiastical stitching etc.

I have continued to keep, more or less, up to date with my journal quilts for the UK Quilter’s Guild Contemporary group and also with my work for the Fifteen by Fifteen group, and, needless to say there is also some new work in the pipeline as soon as I have time.

Below are three of my Fifteen by Fifteen pieces on the subject of decay. The last two used earth pigments for the base colour.

Damp November

Here we are at the end of November, the time has flown by since I last updated. At the beginning of October I spent a night in hospital for planned sinus glitches that was followed by a light dose of shingles so it was relief when I set off for the UK at the end of the month to visit family and friends for three weeks.

For once I was around for the journées de patrimoine and I went to the Mairie in la Rochelle to see the textiles on display, these comprised of a life size contemporary embroidery (cross stitch) of Aliénor d’Aquitaine celebrating 900 years since her birth and some rather wonderful wall tapestries.

The last Saturday in September saw me invited to teach around a hundred ladies at a friendship day for France Patchwork south of here near Angoulême in the Charente region, a little hectic but I believe that everybody went home happy with what they had achieved and I failed to take any photos!

At the beginning of October I hung 17 pieces at Le Sauzy, a parish hall which holds many different types of events . The hanging space is well lit and I was delighted to be invited to exhibit my work for a couple of months.

The UK was foggy, damp and cold but there was plenty to do and see. I made use of my National Trust membership to visit two lovely properties, Oxburgh House in Norfolk and the grounds of Knightshayes in Devon. In the former were the most lovely embroideries, rich leather and burnished velvet wall coverings which were a real surprise. The bed hangings arrived at Oxburgh around 1761 and were removed in the 1950’s and taken to the V & A which has loaned them to the National Trust.

The grounds of Knightshayes are fantastic and many of the plants are labelled, there were a surprising number of plants flowering and luckily the rain stopped for our walk around the woodland garden. The were some woven willow structures of wildlife secreted amongst the trees.

I also visited Country and Eastern in Norwich which has a collection of South Asian artefacts. Not only were there old textiles on display but also stunning carved wood and some enormous windows and doorways. I was particularly drawn to the Pakistani and Indian pieces. The building is an grade 2 listed old roller skating rink with the most incredible wooden roof. It opened as a rink in 1876 but a year closed due to financial difficulties and had a chequered career until it was transformed to its present use in 1993. There was so much to see in the museum section and to buy but I managed to keep my hands firmly in my pockets.

En route between friends I visited the Honiton lace museum, they had an interesting display of lace from all over Europe showing the different styles, then also drawers of lace in chronological order some of which was so fine and intricate. The first piece is the Esther Clarke flounce which was made for the Great Exhibition of 1851. I also managed to find my grandmother’s old house which I hadn’t seen for sixty plus years but which I recognised instantly.

On the stitching front I haven’t done much, the quilt I made for god-daughter’s wedding present was finished on time and was safely delivered, it was large and I had trouble photographing it, I had to hang it sideways on the washing line, hence the photograph is a little strange. I embroidered some of the panels and tried to keep to the colours that she liked to try and keep in harmonious. The whole piece was hand quilted.

I finished the last two pieces for Fifteen by Fifteen on the subject of Children’s books the first was The Adventures of Robin Hood and the last will be divulged later as we have not yet had the reveal. I am now trying to catch up with my journal quilts, September’s is posted and the last three for the year will be done very soon. All the quilting took up a lot of time and I now want to get back on track with creating, I need to make some new work, not that I have any exhibitions planned for 2025 as yet, because I have sold some of the newer pieces and I prefer to exhibit new work when I do exhibit.

September

And here we are a quarter of the way through September with little to show for the months which have passed, the Tour de France was good, the Olympics even better but stitching has been slow! Late spring/early summer was busy I went to Madrid for a few days in April followed by an unscheduled hospital stay and a week recuperating. May saw me spending a week walking on the Amalfi coast in Italy followed very closely by a three day exhibition at St Jean d’Angely and a week walking near the Pont du Gard.

The wonderful exhibition space at St Jean d’Angely.

Italy, coastal walks and visits to Pompei, Naples, Vesuvius and Capri to name but a few….

What to do with a run down town to attract visitors, rock formations, Pont du Gard and pottery.

At the end of June I participated in open studios, unfortunately there were loads of different events the same weekend so few visitors, on the plus side I tidied and painted the interior of the garage to create a showroom.

During the summer I didn’t walk very much but I did realise that by not walking I wasn’t stimulating my ideas, must walk more….

While walking I love discovering new paths and places to visit and sometimes there are surprises along the way like this couple or even the altar cloth in a church which was built in an old barn in the late 1990s.

Last weekend I participated for the fourth time in the local art festival, artists display in houses and gardens around the village, Saturday’s storm didn’t help visitor numbers but Sunday was brilliant and I really appreciated the positive feed back.

I have kept more or less up to date with my journal quilts on the subject of hidden:

Then there have been two 15 by 15 reveals on my subject of children’s books.

Last but not least two new pieces which I exhibited at the weekend:

And , finally as I pack away one exhibition I am preparing fro the next….

Already April

Well, I failed to update in March and now it is mid-April…. I simply don’t know where the time goes. Last week I came home after two wonderful weeks walking in Madeira, wind, rain and clouds were high on the menu although we began and ended with a few days of sunshine. It is a very green volcanic island with plenty of up and down with some tunnels thrown in. Although early in the season there were flowers and the most wonderful forests, sadly the best day for trees was so wet that I left the camera at the hotel but I came home full of ideas!

During March I had work in a local art exhibition which seems to have been well received.

On the stitch front it doesn’t seem that I have achieved much, I finished a new piece which was designed to be mounted on a canvas except that the stitching reduced the size radically so that plan went out of the window, despite leaving a good margin of error.

The March Fifteen by Fifteen piece, the second ‘books’ was completed. This time I chose Wind in the Willows which I love, more for the memories of pantomime (Toad of Toad Hall) which was a family favourite than the book. The opening chapter is about the mole discovering the wonders of the river bank with the water rat, I just love the idea of the animals exploring new territories. It is virtually all machine stitched.

My March journal quilt was also completed, the forest with hidden squirrels. I really enjoy doing the monthly journal quilts as they give me the excuse to play around with different ideas. The hidden element is the quilting of the squirrel forms.

My next book piece is on the table and my April journal quilt has been to Madeira and back and hasn’t been touched and plenty of other ideas are swimming around in my head. This week with the sunshine the garden rather took up all my time, with all the rain everything has grown and the weeds had taken over, the lawn took two cuts to make it look anything like a lawn.

Grey and wet February

As per usual I don’t seem to have much to show for the month. I finished the first challenge for the Fifteen by Fifteen group, this year our theme is books and we were each free to choose our genre but we need to include some words. I found a theme very quickly, relating to sewing and stitching, but then changed track to children’s books with the thread of ‘trees running through all six pieces. It suddenly seemed to make sense that current projects all tie together. My first choice was the House at Pooh Corner by A.A.Milne, it is a book my mother loved and which I read to her the day she moved care homes not long before she died. Inspired by the drawings by E.H.Shepard I chose Pooh trying to find the right kind of bees for honey….

I used cotton which I painted as the sky, then I stencilled some ‘leaves’ before appliquéing the tree, the trunk is an old sheet and the branches a finer cotton. Once machine stitched I added another layer of ‘leaves’. The blue sky is lightly hand stitched, my bear is dyed wadding , the ballon a scrap of sari silk and I used a basic string. The rather odd bees are beads. 

A small piece travelled off to America for the SAQA auction, measuring only 6 x 8 inches, I used fabric I had in my stash left over from a larger piece of work. Machine and hand stitched.

I am also doing journal quilts again with the British Guild’s Contemporary group, the subject is Hidden and we first two are once again based on the subject of trees.

January: insects hidden amongst the trees

February: a few leaves hidden by the trees

As a result of teaching a lesson of lino cutting in the autumn I played around with a repeating pattern which I slowly stitched by hand. I have now mounted it on a frame.

This year for the third time I participating in the ARTbook which is a listing of artists and galleries in South Western France the majority around La Rochelle but also from the Bordeaux area and places in between the two.

January 2024

The best laid plans of mice and men, Go oft away….. (Robert Burns)

Firstly Happy New Year, I hope that there will be good health, peace and creativity for everybody.

I have been hiding with the excuses that the computer needed updating to have better access to my blog and that I had nothing new to show, both problems are now remedied so watch this space…

In June the exhibition space and conditions at the Chateau de Lacaze in the Tarn were excellent and I was able to exhibit all the 38 quilts that I took with me. As planned I stayed the first week; stormy weather but two lovely walks and a visit to Albi which I had wanted to visit for a long time. I wasn’t disappointed. The Saturday of the first week I taught a class which was well received by enthusiastic students, the accompanying textile weekend was sadly not well attended but it was really hot….

Two weeks later I returned with a friend, we set off early and managed to visit Moissac, Grauhlet and Lautrec before arriving at our accommodation. I first visited Moissac when I was on 16 and on an exchange visit and had always wanted to revisit, I wasn’t disappointed. Grauhlet was a thriving leather producing town sadly now rather sad but the museum was interesting. We walked all week discovering different small areas, the countryside was for the most part wooded and shady (thankfully as it was very hot) and the paths were at time rather steep. We managed to visit churches and small museums along our routes.

In August I took part in a three day village arts festival not far from Cognac. The entire village joined in and the exhibitions were held in people’s barns, courtyards, gardens etc, we were given lunch in the village square and there were evening entertainments which I didn’t attend but the whole event was really well attended and I returned home with fewer quilts than I took with me.

In September I took part in the local fete des arts, based with friends as per the last few years it was a great weekend and once again some of my work found new homes. It was then off to Alsace to the European Carrefour with the quilts for our on-line group Fifteen by Fifteen. It is a really long drive bt we were rewarded with excellent exhibition space and it was really well received by the general public.

Not long back from the show and I headed off to Sardinia with a group of walking friends. Due to lack of flights we had a couple of extra days to spend in Cagliari, two of us ventured off and saw most of what the town had to offer and we also took a bus south to visit the old ruins of Nora. The walking was wonderful, rocky and relatively wild although we did take some well worn hiking trails.

My Fifteen by Fifteen series were finished with the second bird, a griffin vulture and two quilts of vegetation that I saw.

I also finished my journal quilts, having produce six types of different leaves for the first six I then went to the shape of the tree adding quotations about each. The idea was to work with words and I tried to produce them in different ways. I have never really connected to adding text but I found the exercise a useful one and now know which methods I prefer.

The latter part of the year I started producing new work again, the pieces that sold during the year were, for the most part my newer ones so I need to build up new stock, I have finished two and there are more in the pipeline alongside a wedding quilt which I won’t show until I have delivered it in November

That rounds up 2023, now I need to work out how to be more adept at creating each post but the essentials are there, thank you for reading to the end!

Time has flown once again…

It is only as I am packing up my quilts for exhibition in the Tarn that I realise that I have not updated these pages since January . The Tarn is a month long exhibition which while require two trips, one to set up and one to take down. The three days of lessons I planned were cancelled due to lack of participants but I am hanging around for a few days to teach a class on Saturday during the textile weekend. Typically the forecast is for stormy weather so I hope to get a lot of sewing done and hopefully discover the region between storms!

I seem to have been busy this year and there is always stitching on the go but I have also been out and about much more. January started with a week of snow shoeing and exhibiting at the Gallerie Arnaud in La Rochelle followed by the show at Cholet at the end of he month. February and March disappeared; what with spending at least two mornings a week volunteering, pilates on another morning and often walking twice a week my time stitching has been reduced, but I think being out of the house more is good for me. In April went on a 4 day coach trip to Amsterdam taking in La Piscine at Roubaix and Ghent en route, with a stop in Lille on the return. We were too early for the tulips but the hyacinths and narcissi were wonderful and the dahlias I purchased seem to be growing, lets hope summer isn’t too dry! Amongst other things we visited the Van Gogh museum and the Vermeer exhibition at the Rikjsmuseum. A week later I was visiting Portugal, staying just south of Lisbon where there were many good things to discover.

Above the Piscine, they have an “exceptional collection” of fabric samples only a few of which are on show.

Woman writing a Letter, with her maid 1670-1672; I really enjoyed the Vermeer exhibition far more than I thought I would, the clarity of the work and the light in the pieces were amazing.

Cathedral, Lille

Portugal was just so inspiring…

Mid-May there was a walking club weekend in the Anjou area where we had visits as well as good walks.

Chinon and Fontevraud

Then, finally last week I circumnavigated the Ile d’Oléron on foot with a couple of friends and I managed to take in the Festival d’Arts Actuel at the Citadelle of Chateau D’Oléron as we were staying nearby.

So much inspiration and so many vibrant colours

Stitching wise I am up to date for the moment with my journal quilts, this year we have to include text and I decided to create a series about leaves and trees, the first six are leaves complete with the name of the tree, its scientific name its order and family. I have tried to construct each family of leaves with a different technique while keeping the text the same but again worked differently.

My first three Fifteen by Fifteen pieces have also been completed, this year we have to make three pairs of quilts under the heading of nature. I decided to use my holiday in the Bardenas, Spain, for my inspiration, the first two on rock structures and the second two will be birds birds, the first one of which is below.

The first quilt is of the landscape of ‘Los Aquarales de Valpalmas’. The Aquarales is like the Bardenas Reales but on a much smaller scale. Both areas have a characteristic morphology known as badlands and are formed by the erosion of the clay landscape, in the Bardenas the cliffs can reach a height of 150m but they are only a scant 20m in the Aquarales. The landscape of multiple columns and pinnacles of differing forms and sizes a third of the size of those 50km away in the Bardenas. Hand painted silk noile, appliquéd and machine stitched.

 In stark contrast to the crumbly rocks of the Bardenas, the Mallos de Riglos which is well known area in the climbing world because its conglomerate formations which are well suited to climbers. They rise high and relatively straight out of a truly wild landscape full of plants and bird life with well marked walking routes. The photograph I worked from shows the sunlight shining through a narrow space between the rocks and I loved the way the colour changed so radically between the light and shade. Painted, appliquéd and machine stitched.

We stopped to photograph a field full of storks on our way back to the hotel one evening, they were feeding in a mucky humid field. Hand dyed fabric bought in Canada and the birds appliquéd and hand stitched.

Most of my time was taken up on my tree project, some of the top stitching was machined but the main part was hand stitched and it took forever, the finished piece measures 150 x 200 cm. As yet I have no photograph of the finished quilt because I have nowhere to hang in good enough light to photograph, hopefully next week will remedy the problem! I really enjoyed making this mammoth piece, it was an idea which had been turning in my head for ages and involved using wood blocks that were made for me from my designs in India some years ago. I used different textured fabric to create effects.

Just a small sample of the whole.

As you can see there is no lack of inspiration just lack of application, there is so much I now want to explore…. watch this space.

January 2023

All the best for the coming year.

Looking back I realise that after spending hours constructing an entry at the end of October it has never been published, heaven knows where that went, what a waste of time and energy! There were lots of photos of inspirational things I had seen but there wasn’t much work produced in that period and I have attempted to remedy that.

I finished the last 4 journal quilts for the year using the same hand dyed fabrics and shapes but the position of the fabric and the stitching for each one.

The last two pieces in the style of Georges Seurat for Fifteen by Fifteen were completed as well. I really tried to use pointillism in these two, fiddly to do but I was happy with the result, especially with the last one when I found a better support for creating my dots of colour. Working in the style of Seurat with the subject of reflections has taught me a lot and I really enjoyed the challenge because it pushed me to work in different ways to get the results I wanted.

In August I posted a piece I had printed and which, now, has been finished by hand stitched around the tree forms leaving the fabric to speak for itself. The second I printed in white and then machine stitched before adding leaves cut from silk scraps. ( long thin pieces are difficult to photograph!)

Then next project which is still in the quilting stage is big, again using lino cuts but also wood blocks which I had made for me some years ago in India. Based on trees and using various different hand dyed fabrics it is, in part, constructed using a traditional patchwork format.

The year ended with an exhibition organised by the association Gaspart in la Rochelle and January will see me exhibiting twice. I am delighted to be one of six people, the others are painters or sculptors, to have been invited to exhibit at the Galerie Arnaud in La Rochelle. The end of the month I will be exhibiting once again at Fils Croisés in Cholet .

Oops it’s August already…

Oops, the long, dry and hot summer days have made me rather lazy. All began well with BIAT, near Lyon, where I exhibited and met up with many textile artists, some old friends, others became new friends. It was a fun packed few days and great to be teaching and exhibiting again. Below is a piece that saw the light of day for the first time.

Pole wrapped and dyed. Hand stitched.

I then headed on across France to visit old haunts and stay with friends in the Chamonix valley, good company, mountains and sunshine are always a good mix. The drive back straight across the middle of France was long and hot although a break in Moulins to lunch with old friends was a very welcome break.

The last half of June was frustrating as I had bronchitis and the medicines made me very lethargic. Then came July, I have no idea where it went, but the Tour de France kept me busy and I was even more committed to the women’s tour last week. The heat and dry ground does nothing to entice me out to walk, the ground is solid and hot and there are few plants of interest, I did notice yesterday that the few ripe blackberries can be surprisingly good. In the middle of the month I had a visit from a couple of very old friends, or should I say friends I have known for ages. It was great to see them although they did choose the hottest few days of the year so they saw more of the interior of a darkened house than the surroundings.

I am not sure what I have achieved really, for the first time for a long time I spent hours on something, cutting, printing, dyeing and reflecting only for it to go nowhere….

I managed to meet the deadline and sent a 12″ x 12″ piece off to the States for the SAQA auction in the autumn. It is based by the shape of a rose window in Vernon cathedral which I visited in June. This mix of stonework and stained glass is a pleasing one although one doesn’t usually see the pale colour of the stonework against the colour of the glass. I worked with a commercial fabric, quilting it with black thread and then added black ribbon before appliquéing the stonework .

My last two journal quilts in the second series have been revealed as has my artist piece n° 4 for Fifteen by Fifteen.

This series of four journal quilts has given me the chance to play around with stitching and the difference it makes, the four cotton fabrics have the same de-colouration but each time the positioning of the colour changes as did the stitching. I like to use my journal quilts for sampling ideas for future use, or not as the case may be.

My fourth piece, of a series of six, in the style of Georges Seurat for Fifteen by Fifteen was extremely time consuming but the end result worked. Number three had been in the style of Seurat’s study for The Circus and this one has tried to be in the style of The Circus. There is very light crayon shading but most of the colour has come from my stitches, I am trying to keep the theme of water and reflections running through all six. I machine stitched the outlines then in filled with hand stitch using running stitch and back stitch to create more texture. At times I wonder what I have let myself in for but actually I am really enjoying working these pieces, they have made me dig deep and really think about how I am working.

This week I set off on another idea, I sorted the fabrics and the idea was in my head when I suddenly turned tail and set off on another track. The last two days revolved around drawing, cutting lino and printing, the stitching can now begin!

I have also made a start on the last four journal quilts. This last week I have tried to walk every day, 5/7 days is better than none but I do find that although it takes time away from my creative time I clear my head.

Yesterday’s quick circuit.

June already

Well a couple of months have disappeared and I have written nothing, April because I didn’t have much to say and May because I have been out and about. I say that I didn’t do a lot in April but I do many good walks, I decided that I would make the most of the good weather to be outside and that I would catch-up when it was wet, only it hasn’t been wet…

May began with organising ten small pieces for exhibition at the Cabane at La Port de la Pelle as in previous years, I made a couple of new birds and added some more abstract pieces happily one has already sold so I had to buckle down and make a replacement and I am just finishing another. I feel that I am really ready to tackle more serious work which is just as well because I have had confirmation for an exhibition in June/July next year.

Mid May saw me exhibiting at St Jean D’Angély for three days. It was a fantastic location and the first time that organisers has actually come to chose the work to be exhibited. I had work in two locations, actually the museum gave me a wonderful big space but only five pieces were selected to be hung there so they were a little lost. ( I admit though that I could get used to having somebody hang my work with the use of an infrared marker to ensure my labels were all straight!)

The second location was in the gallery of the Abbey where the light was good and it was easy to hang work. It was a positive exhibition in the sense that the others exhibiting with me were either embroidery biased (including Maryse Allard, Hubert Valerie, Stéphanie Michaud and Clare-Lise Calladine) or patchwork so I was the only one with art textiles and the feedback from the visitors was positive even if there were not very many of them.

My space…
The second space

At the end of the following week I headed off to the Morbihan region with the walking group amongst other places we visited Vannes, L’Île aux Moines and the Chateau of Suscinio.

The view of the roof through a mirror.
Ancient tiles… food for thought….

I then stayed on a further couple of nights with a friend and we went to Auray, Locmariaquer and Carnac to visit the megaliths with a visit to Rochefort en Terre on the way home.

We visited Ste Anne d’Auray which had the most fantastic embroidered banners.

Port Saint Goustan in the evening light
Entrance to the chateau at Rochefort en Terre.

Barely home again and I headed off to near Limoges before taking a coach trip to Giverny and Roche Guyon. At Giverny we had a guided tour of an exhibition of work by Monet and Rothko there were only around six pieces from each artist hung in chromatic themes so as to compare the way in which both artists worked. One piece of Rothko’s work really caught my attention:

In the gardens there were crowds of people and my camera settings went awol but because the water lilies weren’t in flower and the rhododendrons were almost over it was a kind of mid-season. The herbaceous beds were really incredible although again it wasn’t quite the right season for a mass of colour. It is a garden to be visited at different times of the year to really appreciate it.

Monet’s kitchen

We spent the night in Vernon where the sunset on the Seine was calm and beautiful and lit the old mill beautiful in the evening light.

The Dungeon high above Roche Guyon chateau which was originally carved in to the chalk cliffs.
One of the wall tapestries made by the Gobelin factory.
View of Roche Guyon from high up on the dungeon roof.
The interior of the church which is i need of restauration.

Then this week with the club I visited the gardens at Chaligny.

All in all it was a really interesting ten days with loads of photo inspiration and ideas buzzing around my head.

Despite all this galavanting I have done some stitching as well. I have kept up to date with my journal quilts finishing the fourth of the first series and the first two of the next. The idea always being to be the same but different. This current four are all using decolouration on commercial fabrics , the shapes are the same in each and there are only four fabrics , they are all stitched differently.

April
June, the May photo seems to have evaporated but it is a different version of this one.

The second and third of my Fifteen by Fifteen pieces have also reached completion. Working in the style of Seurat the second was in black and white as per his pencil sketches and again I worked with reflections.

On old sheeting, monoprint, stencil hand and machine stitching.

The third is worked by hand and inspired by the preliminary sketch he did for ‘The Circus’, I will go on to develop it further for the next piece.

Now I am packing to go to BIAT at Villefranche sur Soane for a four day show/salon where I hope to teach two classes one on symmetry and the other on stitched portraits. I also have a couple of new pieces which will be amongst those I am exhibiting but I am keeping things under wraps until the have been seen in public. This is a snap of the current work in progress relating to the symmetry class.