Home from India

It is hard to believe that I have been back nearly three weeks now, it took a little time to settle back into the everyday life of being at home. India was all it should have been, sunshine, dust, colours, noise and smiley people, but above all inspiration for textiles. Although we visited, if I have counted correctly, ten museums/forts/temples we had plenty of time for looking at fabrics threads and textiles.

There were marvellous moments such as on the second day when I was admiring some fabric which the guy claimed was cotton, I said it wasn’t so he backed down and produced another range, I still doubted it so did the flame test, his attitude change very fast when I proved him wrong! Then there were the shops which guides insisted that we wanted to look at even though we had said we weren’t interested, their faces and attitudes changed radically when we left empty handed. On the other hand having spent time in a shop not aimed at tourists in Jodhpur where we bought brightly coloured plain fabrics we were called back to share the 4 o’clock cup of ‘chai’. Masala tea sounds disgusting but it is so good, the tea and milk are brewed together and then spices and sugar are added, this particular one had a strong flavour of cardamon….

For the most part the ancient monuments are built either of marble or red-sandstone and are covered with decoration carved or inlaid which are a mine of ideas, shapes and forms which I hope will shape my work over the months to come. It was my second visit to the Taj Mahal but although it is impressive I hasn’t wowed me. We went to the baby Taj which was much more interesting , fewer people lovely carvings and totally unexpected. The Red Fort at Agra was much as I remembered it except that one of the best bits, the haveli was not open which was disappointing.

Fatehpur Sikri took me by surprise, to begin with there was a  tourist complex at the car-park and we had to take a bus, somehow we also landed up with a guide. There was both a temple and a palace, the complex is enormous and it isn’t all open to the public but there was more than enough to feast the eyes. On our way into Jaipur we stopped at the Hamamun or Monkey temple ; what a total surprise. It is very dilapidated and there are loads of monkeys, we didn’t go up to the higher part which was probably a mistake because it overlooks Jaipur. In its hey day it must have been stunning because it was highly decorated with paintings, it is built in a narrow gorge so the early evening shadows give it rather a sinister feel.

Jaipur and a visit to the City Palace where we decided to pay to see the private apartments which was well worth it. We walked up the seven stories on a ramp which spiralled its way up. The palace is amazing and it was even better seeing the private part, not only was it spectacular but due to the cost there were very few people there as well. The rest of the palace was very interesting, although the museums less so, and we had to pay extra to visit them!

We then moved on to Pushkar via the Barefoot college. Barefoot trains women to empower them even if they are illiterate, it was a really interesting visit even if we didn’t have the time to see it all. We saw the medical centre which services the surrounding villages, the solar cooker project and solar lamp project, the latter had 39 ladies from a dozen or so different countries all learning to make lamps without having a common language. We also visited the weaving shed and the communications department. Puppets are widely used to spread information to the villagers and the college has a wide range. On the way in to the college we were held up by a mass wedding, this is common in villages as it shares the costs of the big day, I didn’t count but there were at least 20 grooms on horse-back…

After a night in Pushkar and a wander through town where we found wood blocks and paint for the Holi festival we headed on to Jodhpur.

Our hotel had a roof-top restaurant with a stunning view of Mehrangarh Fort. The amount of carving was breathtaking was so much to see. Again the camera shutters were working over time and I have a library of design elements for future use. The size and scale of the work is breathtaking, there was ornamentation at every turn. The town which is known for its blue buildings has fewer now, they were painted blue originally to discourage termites from attacking the buildings, with modern materials this is less necessary but there are still very colour streets.

On our first evening we found an emporium stuffed full of textiles. We went in and were left alone to explore the piles of things laid out on the floor. When the other couple left we were given a ‘show and tell’ of textiles.


The guy wasn’t pushy and showed us all the different styles of local work and then samples of work for well known western fashion houses. We were blown away and later discovered that there are many shops like this in Jodhpur and in fact we had a second show the following day. The first guy gave the impression of being knowledgable and unusually wasn’t on a hard sell.

There was a local market which had loads of old saris for sale, we didn’t look closely but for the most part they seemed to be synthetic.

We headed back to Pushkar and spent a day happily printing our own blocks and looking at sari scraps at the Stitching Project with Fiona Wright. We had designed blocks a few months before leaving France and she had had them made up for us.


It was a lovely day, a real contrast from the bustle of the cities we had visited. On the Sunday we went for a walk with a local guide in the countryside outside  Pushkar, Mr Sharma at first thought that we were there for temple visit, but once we explained he changed gear, he was great and explained what is cultivated and explained a bit about Pushkar. Flowers play an important part and the roses had the most wonderful scent, one type used for rose petals and the other for rose water. Within walking distance we saw a lot more of the local life.away from tourists. Pushkar is noisy, full of tourists and temples and tinny music but it goes quiet at night and we really enjoyed staying right in the middle of town where we could sit and eat on the rooftop.


Back to Delhi for the last couple of days. Using the metro we headed off to the Red Fort; I was amazed as I had wrongly heard that it was swarming with tourists and hawkers, it was closer to Chandi Chowk than I had thought and there were very few hawkers. It was an interesting visit but I think that we had been spoiled by other palaces.

From there we decided to walk to Sadar bazar, buoyed up by the fact that the distances were smaller than I had thought we set off. We stopped en-route for lunch at Haldiman’s and a short rest. My map was accurate and before long we found ourselves in the spice market, from what everybody had said I had believed the spice market to be to one side of the Red Fort so that was a real surprise! What an experience, the air was full of spice and everybody was coughing and spluttering, it was a great experience.

From there we pushed our way through a local market to arrive at Sadar bazar and the thread shop I had wanted to visit.

Our last day was spent shopping, as if we hadn’t done enough, and visiting Hamayan’s tomb which was built before the Taj Mahal. It was a true haven of peace and a lovely way to pass the last afternoon.


This is just a summary of what we saw, I took so many photographs and got so many ideas, I just now need the time to work on them. Travelling in India has its frustrations, a driver who was lovely but seemed to have a better idea of what we wanted to do than we did, by the end he got used to us and our atypical approach India; roads which are much improved but despite the three lanes vehicles travel in which ever lane takes their fancy; cows doing their own thing; the noise of car horns due to lack of order in lanes; rickshaw drivers who are convinced that you can’t do without their services…. On the other hand the people are on the whole friendly and smiling and willing to help, one only has to look at the map in the metro and somebody is trying to help you; the colours are mind-blowing and the food delicious… Until my next visit.

Back at home I got my latest journal quilt finished, it is based on a textile print that I saw in the Anohki museum last time I was in India. I have used stitch and appliqué to reproduce the idea, the horizontal stitching is as on the original print.

Caroline Higgs-March-BW


Time has passed and I don’t seem to have anything to show for it, at present I am sitting with my bags packed ready to go to India to collect more inspiration for my textiles; watch this space…

I have done some snow dyeing with limited success, time was short when the weather wasn’t too cold but I had some interesting results.

I was playing with black as I wanted to see what happened, the results on the right were two efforts, the bottom the most interesting because the brown came through very strongly although there wasn’t much in the mix! Judging by the speed at which the snow in the garden is melting I reckon that that is me for another year…

This year for my Quilter’s Guild Contemporary group Journal quilts I have chosen to work in black and white with a flash of colour. The format is 11″ square which is larger than recent years but I am actually quite enjoying the size. For January I used a wrought iron balcony motif that I photographed in la Rochelle and I played around with positive and negative.The flash of green represents the shutters which were on the window behind.


For February I decided to work with different sized circles, my life this month has been going around in circles so it seemed to be relevant. The yellow are the highlights, the rays of sunshine that we have been enjoying, the promise of warmer times to come. The black and white circles are chain stitched quilting thread, the background is quilted with invisafil, I wanted to quilt it without detracting from the circles.



Now I am turning to developing thoughts about where I want my Indian inspirations to lead me. I know that when many people think of India it is instantly the vibrant colours which come to mind. I am more interested in form and shape, architectural features, but at the same time I should try and be bolder with my colour choices. I will also be collecting a couple of wood print blocks that I have had made for me…..




January 2017

Where does the time go to? The late autumn was very busy and I had no time for sewing But I did get my Fifteen by Fifteen piece finished. the subject was motion and  I decided to entitle my piece ‘A little motion in the air’ and use a piece that I had shibori stitched and dyed in pomegranate and iron when I did a course a couple of summers ago. I love seeing the movement of seeds in the air. I hand stitched and machine stitched to create additional texture.


The I finished the last of my 2016 journal quilts, I played with scraps of silk and some stencilling, I wanted an old look to it as in things that have faded and was more or less happy with the result. Some squares were stitched to give more richness, others were left to fade away.


I find producing work difficult when I have too much else going on so it was a great relief when the Christmas break arrived and I could concentrate on creative ideas rather than the preparation of my English classes. The weather was cold and frosty, we had over 50 days of no precipitation which was, I think a record. The crystals were amazing.


Then there were the trees covered in frost, the sun only hits the house for about 3 hours at this time of year due to the mountains but the light is wonderful.


I started to organise my thoughts for textile classes this year and played about with stitch pictures, one of which I did as a surprise for my sister’s Christmas present. I had a go at sewing my mother, the mouth wasn’t too clever but I think I captured her spirit.

I also decided that it was time to finish a piece I had started in the summer and which needed stitching. I challenged myself to only use the machine and was quite happ with the results.


It was made of squares which had been shibori stitched and then dyed, the stitching was then undone and they were dyed a second time, I used four dye baths each time so that no two were the same. The colours were not as bold as I had intended but with the stitching of the veins they came to life. Once the whole was quilted I over painted to make the leaves stand out.


While looking for inspiration I knitted a new bag,  mounted on an ‘inner’ which I love and which is very practical , using sari yarn.


Finally this is a section of a new piece made for the Quilter’s Guild suitcase collection.


I am hoping that I will be rather better at keeping up to date in 2017!


Where does the time go?

The OEQC  in Maastricht was great fun, there was a lot to see and teaching there was a great experience. Part of the joy of going to these shows is the chance to network and chat to people before or after the doors are shut. There was a really contemporary feel to the show although traditional work was also present.

Normally I do not like showing the worked others on my pages but there are a few artists whose work really inspired me. There was a competition entitled 20 and a quilt I really liked was that made by Grace Meijer, The Pianist depicting the decade of the 20s and the start of the Jazz scene in New York.wp_20161022_16_54_09_pro

I didn’t take many photographs but certain artists made a real impact on me, Mirjam Pet-Jacobs for the way she quilts and Eszter Bornemisza for her work in general. Mary palmer had some really interesting work, a mix of traditional and contemporary and for the main very large pieces, there was an interesting statement in small quilts about abortion, a smaller one entitled, if I remember correctly Mind-Mapping


and then a big piece of portraits


The latter was all in tones of blue and white.

Having a chance to look closely at Susan Chapman’s work also inspired me with the way that she uses hand stitch to create contrast, two examples below, the figures below both have a slightly coloured thread outside the figure which gives a more visual impact.


Four days after my return from Holland I turned around and headed out west for a few days holiday before Vendée Quilt. The weather was good, there was very little traffic and my drive was accompanied by the most spectacular sunset, the clouds turned blood red…. a good omen. After a night en route I hit the coastal area and visited a lovely village which allegedly is one of France’s best, out of season I dispute that, but it was pretty even if the tide was out so there was a fair amount of mud in the estuary! The autumn colours were great.


I chose to take small roads to reach my target la Rochelle and had a lovely drive through small villages and across marshes. The sunset a La Rochelle made me realise how I miss large expanses of sky and of course the port of Minimes helped with the ambience, as did a good ‘moules frites’!


I spent a day exploring the Ile de Ré, walks along the shore at various places and generally just exploring.

There was so much to look at in the way of textures and forms.

La Rochelle has so much to see and I took loads of photos to inspire my work in the future, I am particularly drawn to wrought iron, watch this space!  The buildings are old and those which are timbered have the timber protected presumably from the salty air, the market is wonderful and full of good local produce.

Then there is the stonework, there are streets with vaulted walkways, gargoyles and a wonderful looking statue resting in pieces while the area is being revamped.

The town was tidy and clean and the rubbish bins had metal screens around then which were attractive, what a nice change…


Was was staying out of the centre near opposite the little boats and the pontoons that led to them, the reflections were just stunning and my mind was working over time…


I then headed up to Roche sur Yon for Quilt Vendée, a great show which was sadly under attended but again a great time was had by all and of course I made a quick visit to Les Sables d’Olonne to see some of the Vendée Globe boats and absorb some of the atmosphere….

As you can see there was not a lot of sewing done but I have more than enough ideas to keep me going… I did complete my November Journal Quilt though.caroline-higgs-november-pushkar-screen

The richness and sheen of the brown silk does not show up on the photo but I love the contrast of the smooth of the silk and the rough of the dyed wadding.

Off to the OEQC, Maastricht

Bags are packed and I am off at dawn tomorrow to teach four workshops (two of each) and demonstrate at the OECQ….


The two workshops are Photo to stitch

Caroline Higgs; From Photo to Stitch 4

and for a bit of fun Geometric Christmas Decorations…



My most recent journal quilt is completed, based as previously on the idea of screens and colours shining through. I was lucky enough to have some sari scraps which fitted the bill…


When one buys a length of sari fabric it comes with an extra piece for the ‘top’ so I have tried to group together the fabrics accordingly .

For a local group we had a challenge with water as a title. It wasn’t until I was going through my photographs from this summer that I found ‘the one’, which I posted on the autumn page…


This is the wrought iron railing on a bridge over the military canal in Kent. I had seen a demo on Facebook of somebody painting on a smooth surface and then wiping the paint back and adding layers. I gave it a go, it used a lot of paint, I had to use extender to stop it drying out, and then treated it as a mono-print. The background fabric is an old sheet and was stable enough to stitch before I added the wadding. I was very conscious that the wrought iron cut-out shouldn’t take on the texture from the background stitching, and by adding the wadding for the last stage I seem to have got away with it.


As the subject was water I didn’t want to develop the undergrowth to detract from the water.

When I get back next week and once I have made my preparations for Vendée Quilt, I hope to experiment further; watch this space!

June was washed away!

Well another month has disappeared and not as I had hoped! I envisaged spending lots of time walking in lovely sunny alpine pastures admiring the flowers only it has been wet and the high areas still have too much snow… I have been working though and not all of it on textiles unfortunately but at least I have been earning.

I spent a lot of time this month working on a group project; 6 of us who did our City and Guilds together have just finished our second round robin quilt, the quilt is handed on between us for each person to continue the work ‘blind’. It is a really good exercise and one which is also extremely nerve-wracking. Once that was done I got in with my niece’s wedding quilt, the 540 pieces are now all stitched together and quilting began last night.

After working on my Fifteen by Fifteen piece on the subject of circles I did a second and there is a third waiting in the side-lines. I have been encouraged on several fronts to try and work smaller and in a series to try and create a more homogenous body of work. The circles idea came from a photo I took in India which had a back-drop of brick circles.


The centre piece also had circles on it and I tried to recreate the idea of two different layers, the back ground I have already shown but here is the finished piece.

Indian screen

I then went of to play further by making a larger print of the circles and printed the two together making the foreground a little transparent.


watch this space for further developments.

I also completed a piece for a local group we had a handkerchief from China with a flowery motif on it which we had to incorporate in to our work, I traced the motif to reproduce it to form a tree. The trunk was  made using flour paste and Chinese ink before I painted the background. The fence is some decorative ribbon cut in strips and painted with acrylic paint. I played around by quilting the piece quite tightly to create movement, to get the effect that I wanted I actually worked at 90° to what one might expect, so the sky is actually quilted vertically .


The journal quilt for June again used ideas from India, this time I used a photograph of wrought iron railings that I took in Pushkar.

journal quilt june

I redrew the design to make it straighter then cut out the pattern using a flowery sari silk scrap behind and tried to create the shadow by using a freezer paper stencil.

Caroline Higgs-May-Pushkar Balcony

I have so many ideas I want to try out but now I am concentrating on preparing my classes for Birmingham, Maastricht and Vendée Quilt so that I have no last minute panics! The weather is now more seasonal and I want to get out and enjoy the countryside and of course there is the wedding quilt to quilt….

This is one of the classes that I a teaching at Vendée Quilt…

Tous à bord




May has almost gone

I arrived back from Quilt en Beaujolais a little subdued. The show was wonderful with a wide range of contemporary work and over 6000 visitors over the 4 days. My teaching went very well but I was not happy with the display of my work, I had a much bigger display than originally planned and as a result my work did not produce a coherent exhibition.

I now need to spend time rethinking what it is that I really want to produce, not easy when there are ideas all around me and I want to try so much!

My journal quilt for May was finished ahead of time and is the first with a touch of green. I saw some fabric at the Anouki museum in India and loved the way only part had been quilted so I wanted to try the same effect.


Meanwhile I have had  two pieces which have not been accepted in to exhibitions, this has helped me decide to work in a different way and not to try for acceptance to different challenges. The first is a piece that I am really pleased with but is probably to ‘simple’, the fabric is distressed with tea and the pattern is painted and stencilled and then the outlines are machine stitched, it is hanging very happily at home.


The second is still waiting for a home:



When ever I am out and about I look for inspiration, only now I need to channel my ideas, these are some of the photos that I have taken recently.


Detail of a railing outside the classroom I was teaching in.


Nice iron work part way up a mountain.


Interesting pattern on a tree trunk on the way down the aforementioned mountain.


The dandelion which was growing, uninvited outside my backdoor.

Then I have also been playing around with lino cuts and printing, this is the beginning of a series


I have still a whole list of things which need to be done in the next couple of months,  including a quilt for my niece’s wedding. She has chosen a fairly traditional design and we went shopping for the fabrics last week, all I need to do now is to get cutting the 540 pieces…P1130781

April has arrived

April is here and it seems much more like spring. For the time being my sewing is up to date, deadlines have been met so I am feeling quite relaxed. Now I have to really concentrate and get ready for Quilt Expo en Beaujolais, I have packed the quilts for my stand, just need to cut a few more batons and write a few labels. I know what I am teaching so I need to put the kits together and then cross my fingers for a few more students.

Today was the new reveal for Fifteen by Fifteen, I found the subject East meets West a difficult one it didn’t fit anything I really wanted to do; I finally decided to play around with stitching. Following the course I did last August I wanted to start experimenting with patterns and dyeing so I used this as the base, using the Japanese karamatsu technique and double dyeing. I then quilted the main body with a traditional Northern English chain pattern, placing a sashisko motif in the centre. The threads were dyed  with the fabric, so the middle blue thread was the first dye run, then I added yellow,hence the yellow thread and the result was the green. I think I should

have been bolder with my colours but was pleased with the result.

I have also been working on examples of photo to stitch for my classes, I love working in this way and now have ideas in my head for larger pieces of work. I want to present them with all manner of different items to demonstrate how adaptable this technique is, and how even if one can’t draw one can produce something artistic!

The tree is actually from a postcard that I have had for ages and the water buffalo is one I photographed in Kenya last year. The latter is using a slub thread so that the lines are not ‘clean’. They are both small.

I have also got the Journal Quilt for April finished. I played around using a photograph of a stone carved window/screen which was taken at an angle so that one could see that it was in 3d, I have cut away to show an old sari behind and used the same fabric for the bindings. Fine silk sari is difficult to work because it has a mind of its own, this one was faded and had holes in it and the scrap is never quite the size that you want it to be! I have stitched the lilies by hand and in coloured threads to bring it slightly more to life and the depth of the stone is shaded with crayons.

Caroline Higgs. April; Lily Window

On the Edge is finished and has been submitted and I have one or two other projects up my sleeve, but at least I have time to sort out the garden and try to get rid of the weeds!



Slow progress

I have been working hard but I am not sure that I have much to show for it! I am working on a piece for the Quilter’s Guild Contemporary Group challenge, ‘On the Edge’ and it is nearing completion. I want to have it finished because I need to prepare for my stand and classes at Quilt Expo en Beaujolais which takes place 13 – 16 April. It should be an action packed few days, because apart from hoping for lots of visitors to the show it will be an occasion to meet up with friends and share a few glasses of wine, in the evenings of course.

At present I have work in TaiwanTIQE 2016 Profile Image

I will also have work in two exhibitions at Beaujolais, Fifteen by Fifteen and the Contemporary Group’s challenge from last year Elements.